THE CN:H COLOR PROJECT UPDATE:
Issues 1-4, pages 14-24 of Issue 14, and and all of Issue 15 are currently colored and on the site.
The remaining colored pages will be posted as they're completed. Thanks guys!


Wednesday, August 25, 2010

Issue 11, page 12

Running in with a sketch quick, this one of Issue 11, page twelve.



Unfortunately, this will probably be the last full page sketch I share. With updates stopping on the Supporters side for the rest of the year, I'd rather the full sketches not get out. I'll probably share panels now and then, but not the whole pages anymore.

No worries, I'll come up with something else. I've been wanting to get back into keeping an actual, physical sketchbook for a bit now. I just need to find my Prismacolor pencils. I've no idea where they are. Maybe if the con goes well, I'll pick up another set.

Inking quick tomorrow. Then packing and passing out. I hate the days leading up to a con.


"I have more zits now than I did as a teenager. Stress zits."
-- Tiffani-Amber Thiessen

Tuesday, August 24, 2010

August 23, 2001

August 23, 2001 - that's the date that CN:H started. It was a series of text stories before Matt and I decided to try turning it into a comic two years later. The sketchy comic didn't work out, and the current version was started in 2005.

So when you get down to it, CN:H itself is nine years old - the comic five. I'm assuming this is nothing to sneeze at. Unfortunately, with our decision to take the rest of the year off on the Supporters side due to business, health, and printing issues, it's not much of a celebration.

But still, I'd like to at least mark what's been done so far...
1) I have no idea how many text stories were written or how many words each was. I was working on getting through grad school at the time. I'm afraid counting the number of words in my recreational writing was not a priority.

2) 108 pages of the original version of the comic were done (2003-2004).

3) I'm currently working on page eleven of Issue 11, which is the 396th page of CN:H (from 2005 to present).

4) Additionally, ten pages of "The Incident" have been done.

5) There have been thirteen single issues and two trade paperbacks in print.
Perhaps not great by some standards, but the way I see it, it's not bad for nine years.

Who knows, maybe next year I'll remember to do something special. It'll be ten years, after all. But for now, I've inking to do. Later and thanks for reading!


"For every failure, there's an alternative course of action. You just have to find it. When you come to a roadblock, take a detour."
-- Mary Kay Ash

Monday, August 23, 2010

Issue 11, page 11

Another sketch down, this time for page eleven of Issue 11. I need to get this page and page twelve done by this Thursday. We're leaving Friday morning, early, for Baltimore Comic Con.



Hey, look, a fey gate. Boo-ya!


"We must not let daylight in upon the magic."
-- Walter Bagehot

Saturday, August 21, 2010

Issue 11, page 10

Page ten of Issue 11 is sketched and awaiting inking. That will happen tomorrow.



Damn, my jaw is sore. Feels like someone punched me in the face. This is what happens when you've spent the whole previous day clenching your teeth. Fun. Aspirin is in my future. Oh yes, it will be mine...


"A recent survey stated that the average person's greatest fear is having to give a speech in public. Somehow this ranked even higher than death which was third on the list. So, you're telling me that at a funeral, most people would rather be the guy in the coffin than have to stand up and give a eulogy."
-- Jerry Seinfield

Thursday, August 19, 2010

Thoughts on validation

I mentioned in the previous post that one of the things on my mind was the idea of validation. Everyone wants to be validated in some form or another. It's only natural. We're social animals, us human beings, and as such we need to feel that we fit into the social group.

But, the desire for validation can lead us into a downward spiral if we look for it in the wrong places.

Everyone has their own reason for doing a comic. Some people have a story to tell and it just has to come out. For other people, it's a job. For yet others, it's a way of learning how to write or draw better.

The ones who confuse me are those who feel doing a comic will, in some way or another, validate them.

I was placed into a special drawing school for the gifted and talented in sixth grade and continued pursuing art since so, I feel I can speak with some level of experience here... getting into art (webcomics especially) with the goal of it validating your worth as a human being is simply setting yourself up for a long, hard road. You get into it because you love art, not because you hope it will win you friends and convince people of your intelligence / skills.

It takes years of hard work, diligence, patience, and perhaps even a bit of humility to keep at it. You have to realize that you're not going to instantly "get it". You must also realize that even if you do "get it" there will always be someone out there who "gets it" better than you. You need to be willing to take the abuse, get back up, and - instead of throwing a wobbler - assess your work and see if there just might be something wrong after all.

You need to own your mistakes as well as your victories. Take responsibility for your actions and your work. Don't place the blame for your failures on another person's shoulders. Place the blame at your feet where it belongs. Only then can you work towards turning your failures into successes.

This is how you validate yourself. You don't gain validation by being on a podcast, sitting on a panel, having so many visitors to your site, or even just doing a comic, period. It doesn't come from hand-lettering your comics, seeing your work in print, or spouting out art theories at every available opportunity. Validation of self comes from within the self. It's from taking responsibility - not just when things go good, but when they fail as well. It's knowing you did what you could to the best of your abilities and, that you're ready and willing to give it another try. It's quiet, dignified respect - for yourself and for others. It's self empowerment. And, it's important that it be from the self.

Looking to others to prove that you're a worthy person will leave you depressed and alone. Not because you're a bad person - no, I'm not saying that. But, when you spend so much of your time trying to take from others, you've no energy to give back. You run the risk of becoming an emotional vampire, seeing others as a means to an end. You may even find yourself sabotaging other people's moments of success out of a desire to bring attention to yourself. You can try to hide your actions with honeyed words. You can try to offer gifts. But eventually, people will start to notice your behavior and even the most understanding will reach their limit. And thus... you end up alone.

There's nothing wrong with sharing your successes and your fears. Also, there's nothing wrong with wanting to hear a nice word about your work now and then. Hell, everyone wants that. But, if you're using that as the sole basis of your worth as a human being... you may want to step back and reassess yourself and your reasons for doing art / comics in the first place. You should be feeling a rush at the act of creation, not a stab in the heart because the world isn't beating a path to your door.

No one - not convention creators, nor readers, nor your fellow cartoonist - is out to get you and hold you back. I'm sorry, it just doesn't work that way.

Know who you are, be honest about your abilities and accomplishments, and you won't need to look to others for validation. You'll be more confident and able to celebrate other people's successes as well as your own.


"Make it thy business to know thyself, which is the most difficult lesson in the world. Yet from this lesson thou will learn to avoid the frog's foolish ambition of swelling to rival the bigness of the ox."
-- Miguel de Cervantes

Wednesday, August 18, 2010

Issue 11, page 9

Page nine of Issue 11 is sketched and ready for inking. I'll start that later. For now, here's the sketch.



Enjoy. I'm going to stretch my back a bit and think of something to write. Maybe a post on the idea of looking for validation from others / through your art. Or maybe the need for seed money when starting a business. I'll come up with something. I don't want this to be nothing but sketches all the time. What fun is that, eh?


"People who matter are most aware that everyone else does, too."
-- Malcolm Stevenson Forbes

Max sitting on stool (sketch)

I'm currently working on the clean sketch for page nine of Issue 11 and liked how this sketch of Max turned out so far. So, I thought I'd share.



I should have the complete clean sketch done in an hour or so.


"I have many regrets, and I'm sure everyone does. The stupid things you do, you regret if you have any sense, and if you don't regret them, maybe you're stupid."
-- Katharine Hepburn

Tuesday, August 17, 2010

Belly dancing (sketch)

Still no thoughts on writing this morning. I'm letting the things I want to ramble on about percolate. I'll come up with something in time. For now, here's another messy sketch... this one of a belly dancer.



I love belly dancing. It looks so beautiful and graceful. And the outfits... gorgeous! I can't do it myself, though. Maybe one day I'll get up the gumption to learn.

Oh, I should probably mention, I've been using references from my morgue and Google Image Search for these learning sketches. It's easier to see where you're making mistakes in your framework when you've a reference for that pose / costume / facial structure next to you. So no, not all out of my head at the moment. I'm trying things I'm not use to drawing. It's how you learn, after all.

I should set up a timer or something. It's a little too easy to get wrapped up in these sketches at times. I could have easily kept going with this one, the fluidity of the cloth was mesmerizing to try and figure out. I saw an hour glass at Target a week or so back. I wonder if it's still there?

Well, I should get to inking. I've tomorrow's "The Incident" to finish up. I also have to sneak in the recolors of Issue 11 so far. I've no idea where those will fit in. No matter. I'd best get to work. Later!


"Flow is being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz."
-- Mihaly Csikszentmihalyi

Saturday, August 14, 2010

Issue 11, page 8

Here's the sketch for page eight of Issue 11.



Sorry about not being too talkative at the moment. Just a little tired. Inking starts tomorrow.


"My father told me that if you saw a man in a Rolls Royce, you could be sure he was not a gentleman unless he was the chauffeur."
-- Earl of Arran

Wednesday, August 11, 2010

Issue 11, page 7

And now, the sketch for page seven is done. Huzzah!



Inking starts first thing tomorrow.


"If there are no stupid questions, then what kind of questions do stupid people ask? Do they get smart just in time to ask questions?"
-- Scott Adams

OMG! Monkey!

I got back from an appointment a bit ago and decided... I want to draw a monkey. So, here he is! I'm not sure why he's a pinky-purple color. It just seemed right.



He needs a name, our little monkey friend. I know... Sundae. Again, it just seems to fit. Or, I'm hungry... Run, Sundae! Run!

I'd like to get a bit better at doing an animated/cel shaded style. It'd be a nice look for a few future project ideas I have. But for now, I need to get back to sketching the next CN:H page. The roughs are done. I just need to clean the sketch up and letter by the end of this evening.


"At the height of laughter, the universe is flung into a kaleidoscope of new possibilities."
-- Jean Houston

Friday, August 6, 2010

Issue 11, page 6

Here's the sketch for page six. It's pretty messy. This is one of the times I'm glad I no longer sketch these in pencil... there would be graphite smudges everywhere.



I don't know why I keep trying to do scenes, poses, and angles I haven't figured out yet. It makes things a little slow and frustrating. Here's hoping it all turns out.


"Art is a very joyous obsession that has one large drawback – the frustration that is involved with the middle of the process, when things can go either way."
-- Travis Bowles

Thursday, August 5, 2010

Jet pack corgi (sketch)

Pembroke Welsh Corgi's with jet packs...? There goes the neighborhood. Seriously, like they're not fast enough on their own?




"The great pleasure of a dog is that you may make a fool of yourself with him and not only will he not scold you, but he will make a fool of himself too."
-- Samuel Butler

Wednesday, August 4, 2010

Issue 11, page 5

The sketch for page five of Issue 11 is now done. Just a bit of lettering to do, then it's on to inking.



It didn't turn out like I was hoping it would, but it'll work. With comics you have to keep chugging on, even if things don't look quite as you'd like them to.


"Our chief want in life is somebody who shall make us do what we can."
-- Ralph Waldo Emerson