THE CN:H COLOR PROJECT UPDATE:
Issues 1-4, pages 14-24 of Issue 14, and pages 4-24 of Issue 15 are currently colored and on the site.
The remaining colored pages will be posted as they're completed. Thanks guys!


Saturday, June 30, 2012

Sketchbook - Medieval ladies

Morning guys! This sketchbook doodle was actually drawn yesterday afternoon. Which means, I'll have to do another one sometime today. Just more pen and marker scratchings, this time using Historic Costume in Pictures by Braun and Schneider as a reference. I love books about old outfits and fashions.




One lady is larger than the other because I only intended to draw her head, but got carried away and drew as much of her as I could fit. Again, these are just practice pieces.


"Critics are like eunuchs in a harem; they know how it's done, they've seen it done every day, but they're unable to do it themselves."
-- Brendan Francis Behan

Friday, June 29, 2012

Sketchbook - Timed draw practice

Today I decided to do some time sketches using the Thirty Second Drawing app at Posemaniacs.Com. I'm not too fond of the Posemaniacs models. They don't have any skin! It's so you can see the muscles underneath, which is helpful. But still, it's a little creepy.

The Posemaniacs models have more perspective options than the Pixelovely ones do, though. I also just discovered that if you choose the "full screen" option (with the single shots, not the timed app) you can pivot the model 360 degrees! Cool! I'll have to play with that more often. Drawing the same pose from different angles could be great practice!










"I believe that we learn by practice... it is the performance of a dedicated precise set of acts, physical or intellectual, from which come shape of achievement, a sense of one's being, a satisfaction of spirit."
-- Martha Graham

Thursday, June 28, 2012

Sketchbook - Deflecting magic

Here's today's sketchbook offering. More marker over sketch pen doodling, this time Max using his band to deflect a burst of magic. The long, purple swatch in the front was meant to be the shadow of the spell-caster.



I lost focus part of the way through, hence the sloppier blending.

And I still need to catch up with email. I'll do that tomorrow. Sorry for the delay.


"It is paradoxical that many educators and parents still differentiate between a time for learning and a time for play without seeing the vital connection between them."
-- Leo Buscaglia

Wednesday, June 27, 2012

Sketchbook - Max and Roderick

Here's today's sketchbook work. I've been really enjoying these pen sketches with the marker overlays. They're so much fun! I get to practice and play with markers at the same time!

This one is a scene idea from Issue 15, Max and Roderick talking while in the fey realm. It's messy, but hopefully not too messy.




The only problem with these is that I can't use the back of the page due to the marker bleed. Which, makes me a little sad. Still, it does mean that I'll fill up a sketchbook faster.


"Our delight in any particular study, art, or science rises and improves in proportion to the application which we bestow upon it. Thus, what was at first an exercise becomes at length an entertainment."
-- Joseph Addison

Tuesday, June 26, 2012

Sketchbook - Hair practice

I'm really trying to get back into the habit of doing some sketchbook work each day. I was doing so well a few months back, and then I stopped keeping up with it. But, I need the practice, badly. I've so much to learn and a shortage of energy at times to learn it.

So please, feel free to poke me if I don't have at least one sketchbook page to show each day. It'll help me keep on track.

Today a book I'd ordered called 388 Great Hairstyles arrived. I figured a little inspiration might help me vary the way hair looks in the comic. So here's today's sketchbook practice, some attempts at hairstyles. The first page is without marker work because there's another sketch on the back. The markers really bleed through my sketchbook pages.






"I'd luv to kiss ya, but I just washed my hair."
-- Bette Davis

Con badge - Razzle

Anthrocon commission number two is ready for laminating. I got to draw a red panda! I love red pandas! They're so cute!


'Razzle' | inks, copic markers, white pencil, white gel pen | 4x6 | Commission


This is the last commission for this week. I'll send out the Weekly Commission Check-Up email this evening and will begin work on commissions again next Monday. The rest of the week is for CN:H stuff. Woohoo!


"I feel an earnest and humble desire, and shall do till I die, to increase the stock of harmless cheerfulness."
-- Charles Dickens

Monday, June 25, 2012

Sketchbook - Pose ideas

You guessed it. It's time for another sketchbook scratchings dump. These were all me trying to come up with some ideas for future commissions. I'd have more, but I'm still waiting to hear back from a number of people.

These first few are me working up a pin-up idea for Ruby wearing a hoodie. Hoodies are oddly hard to pull off when large, upright ears are involved.








Some badge ideas. I'll be working on the badge tomorrow.




These next few are Matt's fault. He wants me to do another Frazetta based image. The basic idea was Conan/John Carter of Mars with the roles reversed. But all I keep wanting to do is put Gavin in instead of Ruby. I managed to avoid doing so in these rough idea sketches, but the question is, how long will my willpower hold out?







Hey, I don't ask questions. I just draw what I'm told. *laughs*


"Everything is funny as long as it is happening to somebody else."
-- Will Rogers

Finished - 'Max on the Charge' Sketch no. 2

The first of my Anthrocon commissions is complete. This one was a request for a sketch of 'Max on the Charge', since I don't offer prints of commission work.


'Max on the Charge No. 2' | graphite | 9x12 | Commission


Before anyone gets upset, redrawing a commission is not something I normally do. This one got through due to the commissioner of 'Max on the Charge' being my husband, Matt. So please, don't worry. I'm not going to redraw your commission at a later date.

Since this was done in pencil, I needed to spray it with fixative to make sure the pencil didn't smudge too much. Unfortunately, it's been raining all day. So stupid me figured I can just spray it in the house. It can't be that bad, right?

The studio downstairs is currently not fit for life and I can't get the smell of the fixative out of my nose. Ugh! I did not miss this stuff. *cough* I forgot how much some traditional materials stink!

I'm going to venture downstairs and rescue my sketchbook. I've a few preliminary sketches to work up before I move on to the next commission. Later!


"Until you walk a mile in another man's moccasins you can't imagine the smell."
-- Robert Byrne

CN:H trade paperbacks are now available again

Morning guys! I'm about to head downstairs and begin my commission work for the day. But first, I wanted to mention that the 'Code Name: Hunter' trades are now available in the RCSI Publishing store once again. I apologize for the delay. Matt and I mark the books as "sold out" while we're at a con just in case we actually do sell out and need to order a print run when we return. Since print runs can take a bit, this seems like a better option than making everyone wait up to six weeks for their books to arrive.

But, the post-con inventory count is complete and the CN:H section of the store is full and running again! If you met us at Anthrocon and weren't sure about picking up one of our books, now's a good time. We're still offering the Story So Far bundle which will get you caught up - and ahead - of the online version. The price... $50 for three trade paperbacks. Not a bad deal!

We are running very low on some of the single issues, namely Issues 12, 13, and 14. If you're interested in single issues, now's the time. Due to storage space and print cost, once a single issue sells out, that's it. We just can't afford to keep them in print.

We received a lot of questions at AC about when Issue 15 will be available. Issue 15 will begin running online on October 12th and will be available in print before that. I apologize for the delay. CN:H no longer pays me, so I need to take on paying work instead. Which, as you can guess, cuts into comic creation time. I'm still trying to find a good balance for everyone.

As for whether we'll have Volume III available at AC next year, I'm afraid the answer is no. I won't be able to complete Volume III and get it to the printer in time. But, we should have it ready for Anthrocon of 2014.

And, on that note, I need to get to work so I can finish two commissions and have a third one started by Tuesday evening. Then, it's on to CN:H work for the rest of the week. I'm feeling much better about starting the issue now. Sometimes it just takes a bit for the anxiety to go down. Thanks guys!


"Cartoonists are real authors. The comic is a literary genre of its own."
-- Enki Bilal

Friday, June 22, 2012

Sketchbook - Ruins

Just doing a bit of sketching of setting ideas in Issue 15. I used the book American Ruins by Arthur Drooker for a reference.

I want the RCSI agents who are stuck in the fey realm to be using an old, ruined castle as a base. Why? Because I like old, ruined buildings. I think they're actually really pretty in a way.



I also discovered that the Copics play well with the Rapido Sketch Pen. Nice! I think I'll do a few more sketches like this in a bit. Just to get some ideas out. And, to have some fun.


"Good judgment comes from experience, and a lot of that comes from bad judgment."
-- Will Rogers

Commissions, comics, and sketch cards

Hey guys! This week has pretty much turned into a recouping and organizing week. Work will resume in a few days.

I added the current commission queue to my personal site a bit ago, and as of this moment I am full. In fact, I am fuller than I expected to be. My plan was to take five commissions and offer a sixth as a door-prize at the con. I ended up with ten commissions. *laughs* Which means I probably won't be able to open badge pre-orders for FA United in August. Here's the current queue...

1) Tony (PIN-UP)
2) Southpaw Fox (BADGE)
3) Alex (PIN-UP)
4) N0va (PIN-UP)
5) N0va (BADGE)
6) Jason (PIN-UP)
7) Dakota (SKETCH)
8) Matt (FULL SCENE)
9) Tyler (PIN-UP)
10) Earl (FULL SCENE - DOOR-PRIZE WINNER)

While I normally work on commissions in order, many people are still returning from Anthrocon and getting caught up with work. As a result, I'm still waiting to hear back from most people. So, I'll be bouncing around a bit this time. I hope nobody minds.

Starting next week, I'll also be restricting commission work to Mondays and Tuesdays only. This will leave the rest of the week for comic work. As a result, I'll be emailing everyone their Weekly Commission Check-Up post on Tuesday evenings instead of Sundays. I hope that will work out well for everyone.

If you ordered a commission from me at Anthrocon and have not yet received an email from either Matt or myself, then I'm afraid I have the wrong email address. Please feel free to contact me at commissions@rcsipublishing.com and we'll get everything straightened out.

As I mentioned yesterday, work has begun on Issue 15 and will be continuing next week. I'm currently dealing with some beginning issue jitters. I'm also thinking of using an idea that I recently found out James Gurney uses, which is to create a physical storyboard with my page thumbnails. Nothing fancy, just a large cork-board where I can post the thumbnails up and see the flow of the pages. My current method involves various notebooks and loose paper which means, something always ends up lost. Not good.

I'll also be doing the rough pages in chunks. I plan on blocking the pages in quickly on the computer using the cintiq. This will help me make sure I leave enough room for the dialog. Then, I'll print the roughs out and use them to layout the full sketch and inks on regular paper. Good plan! Unfortunately, there's no air conditioning up in the office where the computer is. So, I'll be sketching the roughs in batches on days when the temperature up here isn't sweltering. Luckily we did have a spare window unit which is currently down in the studio. Yay!

I won't be sharing as much comic work in progress as I used to. The only way CN:H makes an income (which goes towards paying for the hosting, merch, and cutting me a small check) anymore is through book sales. So, I don't want to give too much away ahead of time. I'll have various other things to share, so no worries.

As for sketch cards, I really enjoyed doing those last time. I'll be opening slots again on my FA account but this time we're going to do things a little differently. I only want to take a month's worth at a time. Since I'll only be working on sketch cards on Sundays, that means four to five a month. So, I'll be opening slots for the next month on the morning of the last Sunday of the current month. For example, slots will be opening this Sunday for July.

Slots are only available on my FA account, not through email. Also, please don't be rude or upset about these. I'm not required to do free art for anyone. I just happen to enjoy doing so. And, I'd like to keep enjoying it. So please, be polite, okay? Thanks.

I think that's it for now. I still have laundry and some unpacking to do. Thanks guys!


"You've made your bed, now go bounce on it."
-- Peter Scott

Thursday, June 21, 2012

Sketchbook - Where did all my bravery go?

Aside from ordering some Copic refills that I need, I haven't accomplished much since returning from AC. I really need to get back to work on CN:H, but I'm a little scared to. Admittedly, I'm always nervous when starting an issue, but this time it's worse. Which is odd, usually cons energize me to keep working on CN:H. At the moment I'm feeling a little bit of performance anxiety when it comes to the comic work. Or, it could just be the heat. I'm not sure.

So instead, I've been reading and playing with the new brush pens. If I can get a handle on using these, I can cut down my inking time. At least for the comic pages. I still need to test how well these hold up to the Copic ink.

I really like the Kuretake pen. It's a nice size for me to grip and it seems to flow well. Better yet, I actually have a bit of control over it. Most of the Max below was done using the Kuretake. The Akashiya isn't bad, but the larger size makes holding this pen a bit more difficult for me. I started working on Max with the Akashiya, but quickly switched to the Kuretake.

Ruby was done using the Kuretake Bimoji pens, but I don't like these as much. I want something with a bit more give. If I'm going to use a pen with no give, I'd rather just stick with the Multiliners. Still, they'll make nice sketching pens.




As for this page, it was done while AC. Just some goofing around with Copics and Multiliners. I really need to loose weight. My weight is starting to transfer to Ruby.




"If I knew what I was so anxious about, I wouldn't be so anxious."
-- Mignon McLaughlin

Tuesday, June 19, 2012

Anthrocon 2012

As promised, here's the fun and fuzzy report of our Anthrocon trip.

We left Massachusetts last Monday afternoon to avoid the morning traffic. After a quick stop outside of Albany, New York for the night, we continued on to Niagara Falls Tuesday.

Matt and I love the Niagara Falls area. The falls themselves are amazing! So powerful and beautiful. I just wish we could have spent more time there. Spending the day with Matt in one of our favorite places really made my birthday. Thanks Hun!

Here are a few shots of the falls. We stayed on the American side since neither of us have a passport at the moment. We'll get our passports eventually. I promise.








Wednesday morning it was time to head out to Pittsburgh. After a nice drive we arrived about midday, checked into the hotel, and hung out with Ash for a bit. Then, trouble came knocking at the door. Just kidding, it was Chrispy.

We've been talking over Skype for a few months now, but this was the first time we've been able to actually meet. Very cool! Since it was his first Anthrocon I'm afraid we may have razzed him a bit. Like slipping packets of sugar into his pockets, getting him to join us in the Ash Pup Dance, and having Ruby paw at him. But it was all in good fun. Really.




After a quick tour of the convention area, it was time for some dinner and goofing off before set-up the next day.

Normally Matt and I stop by the Toonseum while in Pittsburgh, but this year the exhibit was Care Bears. (We missed the Eisner exhibit by a week.) While I may have enjoyed that, I doubt the guys would have. So, no Toonseum this year. Maybe next time.

Set-up was a little different this year. Normally we ferry the boxes in ourselves using multiple trips. This year, there were too many boxes. So, we had to enlist the help of the Teamsters. But, the end result looked pretty good, if I may say so. We went for two tables this year and actually looked semi-professional. Scary, I know.




With set-up complete, we wrangled the amazing Amber and Mason, piled everyone into the Journey - which from now on will always be known as the Pregnant Yak thanks to Amber - and headed out to find Hoss's Steak House. Turns out not only does our GPS seem to think the Pregnant Yak can drive in the middle of the Monongahela River, it also didn't realize that six months ago Hoss's became a Damon's Grill. Still, good company and good food makes for a great time!

The next day it was go time. Matt sat in the middle and acted as cashier while Chrispy and myself worked the ends of the table, taking commissions and being available to readers.

Friday was the big day. Sales on Friday were constant and the table was hopping. Unfortunately, I didn't plan my sketchbooks out well and ended up hurting my wrist Friday evening. As a result, I wasn't able to take any sketchbooks on Saturday. I apologize for turning people away. I really appreciate everyone who came by to ask how my wrist was Sunday. Thanks for keeping an eye out for me!

Saturday was also the day of the fursuit parade. I tried suiting as Ruby a bit on Friday, but wasn't too sure what I was doing. This is new after all. So Saturday morning I figured I'd just sit the parade out. But, as it came closer to parade time I figured what the hell, put the head on, and asked Matt to walk me over to where everyone was supposed to meet up.

I had no idea what to expect and was really feeling scared and kind of unwelcome at first. Then Southpaw Fox, Tobi, Karmakat, Jouster, and Mits came around. The guys took care of me and helped me through my first parade. Thanks so much guys! I had a blast and will definitely participate in a suiting parade again. It's one of the few times I can suit as Ruby since I know the table won't be busy during the parade. Hopefully Ruby bouncing around made a few people happy.

I noticed that the guys had special fursuit badges. It turns out you had to stand in line in full suit to get one. I figured I was out of luck. I need to be at the table when the Dealer's Den opens. But Sunday there was a tweet about a number of badges still being left. So, I asked Matt if he'd walk down to Con Ops with me and I picked up my first suiting badge. Neat!




Sunday was a very slow day due to everyone being drawn away from the Dealer's Den towards the Art Show, Artist Alley, and the various auctions. Still, sales overall were much better than they've ever been before. More importantly, we had a great time! It was wonderful to see friends again and to make new ones. A big thank you to everyone who stopped by! Also, thank you Uncle Kage and the staff of AC for putting together another great con! And thanks Pittsburgh for putting up with these strange, fuzzy people once again! You're one of the most welcoming cities ever, I swear.


Lessons from AC...
One of the things Matt and I like to do with the cons is figure out what we can learn from the experience. While AC went wonderfully, we did pick up a few lessons.


Labeling Your Stock:
First off, it turns out labeling our boxes, which started out as merely a "this is neat looking" thing, was a great idea.

This was the first year we've needed to rely on the Teamsters to ferry our boxes from the dock to the table. Having all the boxes sport the RCSI Publishing logo made sure none of our boxes got misplaced. While this isn't such a big concern at AC - cars are only unloaded two at a time - I can easily see how boxes could get misplaced at a larger con. So yes, labeling your boxes not only looks good, it helps keep your products together.



You don't need lots of money and custom orders to label your stock boxes. Labeling can be done cheaply and easily. All we did was print the RCSI Publishing logo on full sized, blank shipping labels. That's it!


Size and Appearance DOES Matter:
Having two tables really drew attention to us and helped sales. Having two artists working on commissions live, at the table, helped even more. And, having three new books (we had a few extra copies of Chrispy's 'Precocious' Volume I) didn't hurt either.

While releasing three new books each year is not possible, we can replicate the table set-up and artists working live situations. Many smaller cons allow you to have one table only, so we'll need to figure out a rotating artist schedule for those. But for the bigger cons, I think we've hit on something useful. We'll need a few more shows to test this for sure.


I Cannot Draw on a Flat Surface:
Seriously, everything looked a little slanted and cockeyed to me, especially character's faces. A slightly slanted drawing surface is needed. We'll see what we can cobble together from stuff in the house. If people are paying me for work, I want them to get their money's worth. It also helps lift my head up a bit and allows me to see people passing by easier.


Don't Confuse the Attendees:
People kept thinking Matt was the artists for CN:H since he was sitting in front of the banner and not me. Confusing attendees is not good. It's one of the reasons I wanted my personal banner to include Max and Ruby. I figured people would make the connection if the same characters were on both banners. While many people realized I'm the artist of CN:H, many others did not. So, we'll need to fix this somehow.


Using Tech to Track Money Flow:
Another thing on our list of ideas is a method of recording sales live, using the tablet. As a former librarian I'm familiar with these little pen-like wands that read bar-codes. We'd run them over the bar-code of books to check them in and out. Something like that could work wonders for us at the table. Especially if we could set it to record the sales immediately into our accounting software. That would mean all sales would be accounted for and paying artists at the end of the day would be fast and easy.

The books are all bar-coded as is. Smaller items and commissions could be listed on a laminated sheet with a unique bar-code for each - something we did at the library I worked at throughout high school for large, non-book items. If we could get the tablet to send the purchases to a small receipt printer it would be even better. Because when things get busy, despite your best intentions, somethings just don't get written down. I know the technology exists. We just have to locate it.


Invest in a Cash Box With Compartments:
While credit card sales through Square were up, cash was still king at AC this year. And our cash box is a little thing that only has one compartment. This meant we ended up flashing more cash than we should have while trying to make change. So, a proper cash box with compartments is a must. The deeper the compartments, the better.

While most of the furry fandom would never consider robbing someone, it only takes one dick to rob you. And there's always at least one dick in any fandom. So try not to flash any large sums of bills. Big guys like Matt can intimidate most would-be robbers. Smaller folks like Chrispy and myself need to be more careful. And for goodness sake, never leave your cash box on top of your table! Put it below, out of view.


Bring Enough Change and Evaluate the Amount Now and Then:
We usually keep $50 in the cash box to act as change. This time, that wasn't enough. Matt had to make a bank run midday Friday due to us literally running out of change. And I don't mean coins. I mean bills below a twenty. Our till will be starting at $100 from now on. We've reached the point where our audience density is a little more than a starting till of $50 in small bills can handle.


Use Square? Make Sure All Table Mates Can Use It:
We lost a few sales while Matt was out due to me being confused by Square and the attendees not having cash on them. Stay up on the latest tech at your table, folks.


Going to a Familiar Area? Don't Count on Stores Sticking Around:
We found out that there's been a lot of changes to the stores around AC since last year. Namely, the Staples is gone. We made the mistake of relying on Staples being open. Instead, we had to make due with what we could find at the FedEx shop. Higher prices and less variety. So, plan ahead. Pack extras if you can and check Google Maps to see what's currently around the convention. The economy has been rough on many shop owners these last few years. Your old haunts may no longer be open.


If You Plan on Doing a Door-Prize, Check the Laws First:
We also learned that raffles and door-prizes, even when the tickets are not for sale, is a no-no. There are licensing issues involved. So, we won't be doing that again. Sorry guys. Also, sorry to the Dealer's Den staff for any annoyance we may have caused.


Don't Alienate Your Allies. And Yes, the Dealer's Den Staff Are Your Allies:
While attendies may be able to get away with ticking random people on the staff off, you as a dealer should be on your best behavior. Yes, you will get frazzled during Dealer's Den hours. I guarentee you, the Den staff and security are frazzled as well. If troubles come up, such as our door-prize issue, try to remain calm and talk it out. If you can't, let a member of your party who can remain calm diffuse the situation.

The staff have a reason for the rules they enforce. Remaining calm can help you learn the reason and come to a resolution quicker. It'll also help your relations with the con. Staff will remember you if you draw attention to yourself. Do you want to be remembered as a pleasant person or as a prima donna? The pleasant person is welcomed back and sometimes even gets their choice of table placement. The prima donna... not so much.


Locking Wrist Equals Loss of Sales:
I need to find a method of keeping my wrist from locking while at a con. I turned down three sketchbook commissions within the first half-hour on Saturday and more as the day went on. That's a minimum of $120 that I really could use. Not to mention word of my wrist being on the fritz most likely didn't help sketchbook sales Sunday. Not good.

If certain ideas come into play over the next few months, cons will be the only time I'll be able to take commissions. (No, I can't mention things yet. I will as soon as I can.) I've an appointment with Dr. Brian tomorrow, so I'll ask him then. Maybe he can recommend a series of exercises to help keep the wrist limber.


Drink Water and Juice:
I know this and yet I still stuck with soda for most of the weekend due to a lack of sleep. Now, I have con crud. So yes, drink the proper fluids. And take your vitamins.


Cushion Your Standing Space:
The Dealer's Den of AC is in a vast room with a hard, concrete floor. After eight hours of standing on that, even in the best of shoes, your feet will be sore and swollen. If you can, invest in some anti-fatigue mats. They're cushioned to add some extra support, perfect when standing on a hard surface with little movement for hours at a time. Yes they're a little pricey, but for vendors who plan on attending multiple cons a year and prefer to stand when taking to their audience, it's the way to go.


Put Your Business Cards in More Than One Spot:
We had a nice, multi-tier business card holder sitting on the table. And yet, few people noticed it. Once extra business cards were spread out near the books and artists themselves, more cards were picked up. So while the holders are good to have, don't be afraid to leave a few business cards lose around your table.


I think that's all for now. I'm going to head downstairs, take another dose of throat goo, and crash for a bit. I'll email everyone about their AC commissions later this evening. Thanks again for a great AC guys! Later!


"You should make a point of trying every experience once, excepting incest and folk dancing."
-- Arnold Bax

Sunday, June 10, 2012

Anthrocon 2012 photo stream

Hey guys! I mentioned wanting to set up a Flickr stream to capture our time at Anthrocon, live. So, here it is! If I've done everything right (this is my first time using Flickr after all) photos should pop up as they're loaded into the AC set I've created. Think of this as a way of following our time among the wild and fuzzy furries.

Enjoy and we'll see you when we return!

EDIT: There seems to be some trouble with people viewing the images on Flickr. So, I'm going to stick with TwitPic which I'm more familiar with. Unfortunately, my phone does not let me add info to the images when I post them. If you're interested in what's going on in each photo, please see my Twitter account. Thanks guys and sorry for the inconvenience.



"It is fun to be in the same decade with you."
-- Franklin D. Roosevelt

From the morgue - 'The Artist's Magazine' July/August 2012

Hey guys! Matt and I will be heading out for Anthrocon in a little over thirty-six hours or so. As you can guess, things have been pretty busy with the final con prep.

I'm going to see if I can't rig up a Picasa or Flicker stream for the blog so we can share pictures live from the con. While I'll have my phone with me, I'm not good at typing on one of those. So, my willingness to create full blog posts each day will be a little slim.

For the moment, I wanted to share a segment from the latest The Artist's Magazine - I haven't done a 'From the Mourge' post in a while. I'm trying to track down new resources to learn from, including magazines. (My eyes bother me after reading text on a screen for a while.) One of the things I've always had a hard time with is hands. This is a problem since hands are a big source of expression. So, any instruction I can find is very helpful. And luckily, one of the articles in this issue was about hands!

In the hopes of sharing useful information and educating others, here's the article below.










If you'd like to read more, or order your own copy, stop by The Artist's Magazine website. They have additional information, videos, and articles available.


"You did then what you knew how to do and when you knew better... you did better!"
-- Maya Angelou

Thursday, June 7, 2012

Please excuse the bit of ego here...

...but I just had to take a photo of this. I keep a copy of every CN:H book we print. Have since the beginning. They're a good resource for when I want to brush up on the story so far or need a reference for a character that hasn't appeared in a while. Other than that, I don't think much about them. When I went to put the Prologue reprint with the rest of my copies, I noticed that they take up two of those magazine holders now.

I thought it might be interesting to take a photo of them all. So, here's my full CN:H collection.




I hadn't realized there were so many books. We don't keep the single issues in print after a while, so I kind of forget they existed. The two Prologues are the latest reprint and a copy of the original printing from 2007. The only thing I don't have is a copy of the first mini comic we gave out at cons a few years ago. I used to have a copy, but lost it somewhere.

I know this isn't a large pile of work compared to many out there, but I'm still tickled by the fact that this amount exists at all. I guess sometimes you need to stop and actually look at what you've done to realize that yes, you have accomplished something. Even if it's just a little something.

And, on that note, I'm heading back downstairs. I've some pre-orders to sketch in. Thanks guys!


Tiffany: "This is the hardest and most important decision you'll ever have to make."
Quinn: "I know! Stacy, do you still have that Magic Eight Ball?"
-- Daria

The Prologue reprints have arrived

Morning everyone! I've some great news! The CN:H Prologue reprints arrived yesterday and they look perfect! A big thank you to the folks at Ka-Blam! They really came through for us. Thanks to them, we'll have the Prologue at Anthrocon as planned.




Due to the pre-orders, we're already down to just around thirty copies for AC. If we run out of books we'll start taking orders for the next print run and will ship the books out within six weeks or so. Still, if you'd like to pick up a copy at AC and take it with you that day... you may want to stop by the RCSI Publishing table early. Based on the pre-order response, I'm not sure how long our stock will last.

Speaking of pre-orders, the first batch went into the mail yesterday. Today is for sketching in the remaining books. These will be heading out tomorrow and Saturday.




Look at all those books! I'm going to be busy. *laughs* Thanks guys!


"I've worked in television, and there are a hundred people between you and the audience. I've worked in film, and there are a thousand people between you and the audience. In comics, there's me and an artist, presenting our stories to you without filters or significant hurdles, in a cheap, simple, portable form."
-- Warren Ellis

Tuesday, June 5, 2012

Allegiance buttons

I spent the evening working up some button ideas. Matt and I are calling this batch the "which side are you on" group. There's a button with the RCSI seal, the Astorian royal house seal, and the emblems for the Winter and Summer fey courts. Choose a button and let everyone know which group you side with.

The fifth button design is of the Sword and Circlet Medal - or as the agents call it, the Stupidity Award.




I'm not sure how well these will go over with everyone, but they were fun to create. We'll print the images out before heading to AC but, aside from a few samples, won't assemble the buttons until we need them. That way if there's little interest we're not out a lot of button materials. Because that stuff adds up after a while.


"Always laugh heartily at the jokes your boss tells, it maybe a loyalty test."
-- Source Unknown

So, what will I have available at AC?

Hey guys! We're getting close to Anthrocon (WOOHOO!) so I figured now's a good time to share some info on what I'll have available.

Con Sketchbooks:
Pin-Up sketchbook commissions will be available. This is one character with props, fully inked and colored with Copic markers. No backgrounds please. Price = $40. Due to my wrist and the CN:H book sketches, I am only taking a limited number of sketchbooks per day...

three on Friday
three on Saturday
two on Sunday

Sketchbooks can be picked up at the RCSI Publishing table (J16/J17) the next day. Or, in the case of Sunday, late in the afternoon.

Take Home Commissions:
These are done at home and will be worked on two days of the week - Mondays and Tuesdays - only. The rest of the week will be for 'CN:H' work. There are only five take home slots available. (A sixth slot will be raffled off. More on that in a bit.) Commission prices have been increased to better cover the cost of supplies and time. I apologize for any inconvenience.

Pin-Ups:
9x12 | full color, full shading | Copic marker on Bristol Board



Your character gets top billing with a few props to help set the scene. Both men and women are welcome. Nudity and mildly intimate couplings are fine, just nothing too graphic. Full backgrounds are not available with this option.

1 character with props = $50.00
2 characters with props = $70.00

Full Scenes:
9x12 | full color, full shading | Copic marker on Bristol Board



Your character with a full background. Not just standing in front of a backdrop. No, we're talking completely immersed in a setting. I enjoy telling stories with my work, and can't wait to help you tell yours! Both men and women are welcome. Nudity and mildly intimate couplings are fine, just nothing too graphic.

1 character with full background = $100.00
2 characters with full background = $120.00
3 characters with full background = $140.00

'Code Name: Hunter':
Trade Paperbacks:
CN:H - Prologue = $20
CN:H - Volume I = $17.95
CN:H - Volume II = $15
Story So Far Pack (all three trades) = $50

Want a sketch in your trade like I do for the pre-orders? Feel free to ask! Sketches are no extra charge. CN:H characters only, please. Thanks.

Single Issues:
Issue 8 = $3
Issue 9 = $3
Issue 10 = $3
Issue 11 = $3
Issue 12 = $3
Issue 13 = $3
Issue 14 = $3

Sketches are not available in single issues due to space. Signing, however, is just fine.

2 1/4 inch Buttons:
RCSI Seal = (price to be determined)
I may have other buttons, I just haven't decided yet.

The Sixth Commission Raffle:
Every trade paperback book bought at the RCSI Publishing table will come with a raffle ticket. Sunday morning we'll choose a number out of the bowl. The lucky winner gets a free Full Scene commission! (The commission needs to follow my TOS rules, so nothing too graphic please.) All you need to do to enter is buy a book! How cool is that?

I think that's about it. There will be other items available at the RCSI Publishing table, this is just what I'll have personally. If interested, please stop by and give things a look. Better yet, stop by and say hi! Chances are I won't be able to get away from the table too often.

Oh, speaking of which... this will be my first time suiting. Would anyone be willing to help a novice out with the parade? I'm afraid I won't be able to suit as Ruby too often, but would like to be in the parade. Any help would be welcome. Thanks guys! :D


"Without a humble but reasonable confidence in your own powers you cannot be successful or happy."
-- Norman Vincent Peale

Monday, June 4, 2012

Sketchbook - Character design ideas

I've been thinking over a new side story idea for CN:H that Matt handed me yesterday. Mainly trying to figure out how to flesh out the plot a bit more and how the main villain should look. Something scary and dark would work best. The idea of using a plague doctor's outfit for a basis stuck. So, here's a sketch to get the general idea down.




There's still so much to do development-wise, not to mention all the work that needs to be done on the main CN:H storyline. It's a good sign that my interest is turning back to the comic. The trouble is, the comic no longer pays me while commissions do. What a problem. I'll figure something out eventually.


"To fear is one thing. To let fear grab you by the tail and swing you around is another."
-- Katherine Paterson

Sunday, June 3, 2012

Sketchbook - Ponies!

More sketchbook scratchings while chatting this evening. Ponies and unicorns. I have no idea.






"Horses and children, I often think, have a lot of the good sense there is in the world."
-- Josephine Demott Robinson

Copics for sale (SOLD)

When I first started using the Copic markers a few years ago, I didn't know about the Sketches, I only ever saw the Originals. So, those are what I bought. I've since discovered the Sketches and find I prefer them over the larger, square Originals. The Sketches are easier for my hand to hold onto. Less dropped markers.

I've been replacing my Originals with Sketch versions and now have a complete Set A of Copic Originals that I no longer need. So, I'm offering them up for sale! Here's a picture of the set. (Click on the image for a larger picture.)



The markers are clean and full, ready for use. While they've been well loved, they've also been very well cared for. They retail for around $500 on the Copic site and for around $350 on Amazon. Since they're used, I'm offering them for $200.

I'll be bringing the set with me to Anthrocon and will have them available at the RCSI Publishing table (J16/J17). I've only the one set so once it's sold, that's it. If you don't plan on attending AC but are interested in the markers, please drop me an email at dls@rcsipublishing.com.

Thanks guys!


"I never met a color I didn't like."
-- Dale Chihuly

Sketchbook - CN:H pose ideas

Hey guys! I've a few sketchbook scratchings to share. Just some random doodles of Max, Ruby, Gavin, and Puck.














I'm not feeling too well, so I think today's going to be for sketching, plotting, and reading. I just feel so wiped out lately. Later guys.


"Art is a game where impotence struts the high road and capability smiles shyly from the quiet corners."
-- Joseph P. Blodgett